
Elwen ready for her travels in her blue Irish Linen shirting weight smock dress. The yoke is a batik printed cotton. Armholes and neck are bound with bias and there is no zip.
Elwen ready for her travels in her blue Irish Linen shirting weight smock dress. The yoke is a batik printed cotton. Armholes and neck are bound with bias and there is no zip.
Clair is Sunny Cadiz wearing her crewel embroidered Italian linen shift dress (her tried and tested pattern which Jane helped to fit many moons ago). We can’t emphasise too much how useful a good basic dress pattern is!
Whilst linen is notoriously creasy these heavy embroidered linens really don’t crease badly at all.
Sarah made up Vogue 9035 jacket pattern in this funky plasticised lightweight linen. She has used the reverse of the fabric for the cuffs and the hem panel on the back. Very clever!
Clair in Sunny Cadiz (okay, not sunny right now but it usually is!) wearing turquoise blue linen wrap skirt. The brown legs help. Fabulous.
Christie wearing her classic shift dress in this fabulous soft printed linen print. A well fitted shift dress is hard to beat, eh?
Elwen wearing her green Irish shirting linen dress to her brother’s graduation ceremony. She used Burda 6758 which she altered only in the bust (to make bigger), took in on the nape of her neck (it was gaping) and shortened it a bit (which was surprising as Elwen is tall). The bodice is lined in green cotton lawn, it was hand hemmed.
Chandra wearing her beautifully made reversible cotton skirt using a Liberty archive printed lawn on one side and plain blue linen on the other. The pattern is by Sew me Something and is called “Viola”.
Ruscha sporting her hand sewn silk chiffon shirt, which we at the Stone Fabrics headquarters are in awe of. She insists that it didn’t take that long to make and is a more enjoyable way to sew (she can sit in the garden and tinker away without noise). However it was made it is amazing. We love the mix of the two colour ways.
Also seen: linen and lycra stripey jersey skirt
Jane’s shirt made up once again in an embroidered and hand painted Linen from Italy. Jane was pleased with how economical this shirt was, getting all of it out of a metre (the facings were cut from the unpainted selvedges) -handy when the fabric is £85.00mt!
Jane’s amazing embroidered Italian Linen dress. This fabric is hand painted on top of the embroidery and doesn’t come cheap –it’s enlightening to discover what things cost when they are made properly and the artisans are paid a fair wage.
With such an amazing fabric you only need a very simple shift pattern, Jane used her block which just has bust darts, front darts and back darts so there was minimal chopping up of the pattern.
The fabric truly is stunning.
Not content with the £33mt fabulous blue Irish shirting weight Linen, Bess (with clearly too much time on her hands) hand painted spots all over it before making up this much loved A-line skirt.
There are belt loops sewn around the top and a length of picot edge petersham ribbon added as a belt.
The skirt is lined (Hong Kong style) with Cotton lawn and fastened with an invisible zip on the side.
Ann from classes wearing her floral printed ramie and viscose mix shift dress with frill hem. Ramie is a natural fibre similar to Linen, like linen it breathes well so is excellent to wear in the heat.
What’s the collective noun for linen shirts? For bullfinches it is a bellowing, I rather like that. A bellowing of linen shirts.
These are all made by Lesley using a discontinued Vogue pattern No 1476.
All the linens are light to medium weight, you can find more linens HERE
Bess wearing a white linen jersey raglan sleeved t-shirt with ‘modesty’ panel, and black viscose pique wide leg trousers.
Bess has a bit of a linen jersey obsession, this is the fourth (at least) she made of these tops in as many weeks. This was lined in a bandeau panel with a very stable white cotton jersey, the same jersey was used to bind the neck.
The trousers were made from a stash of Viscose, a slightly piqué weave cloth that drapes beautifully but has a lot of ‘substance’. There’s a fly and button closure and then ribbons that tie to the side.
Both patterns are fairly unrecognisable from their origins, but the trousers were Burda 8087 and the top is Burda 6990
You can find other linen jerseys HERE, the viscose trousering is kind of unique, we will buy more if we ever see it, but you will get a similar drape with Worsted Wool suitings
Raspberry pink embroidered linen shift dress made by Pamela. You can’t really beat a shift dress, eh? Timeless.
Embroidering linen might not make it crease less, but it will look like it is not so creased.
Find more embroidered linen here
Bess on top of the world wearing linen jersey camisole and red and white spotty linen skirt. The camisole pattern was made by drawing round an existing vest. The front and the back are the same which makes it super easy to construct (no markings!), Soft elastic binding was used for the straps, Bess made a few of these for her holiday and got the making time down to 20 minutes. The skirt was made a few years ago (fabric long since sold out 🙁 ), due to the linen being so fine Bess lined it with white ‘Riviera’ lawn. Double belt loops were attached to hold a decorative saddle stitch grosgrain belt. She’s had a lot of use out of this skirt.
You can find lots of Linens HERE
Angie’s magenta linen skirt suit modelled by her daughter
Fabrics and Notions:
Magenta mid-heavy weight linen
Purple Venezia lining
Two-fabric covered buttons (you can get these done at Harlequin)
Invisible zip (skirt)
Medium weight iron-on knitted interfacing
Pattern :Vogue V1127
Jane (the boss lady) wearing her laminated cotton pink spotty raincoat with stripe yoke and contrasting spotty lining with detachable hood, and pink linen fly-front trousers.
Fabrics and Notions:
Jacket:
Pink and turquoise spotty laminated cotton #3021
Pink and turquoise stripe laminated cotton #3022
Anbo spotty American printed cotton.
Separating turquoise chunky zip.
Dyed turquoise shell buttons.
Clear plastic back buttons.
Trousers:
Pink heavy linen
7″ Dress and skirt zip
2 x buttons
Viscose iron-on Interfacing
Patterns:
Jacket: (discontinued) Anna Sui for Vogue #2424
Trousers: Burda 2938
There is no interfacing or stabilising in this jacket as the laminated cotton is very stable. Jane rarely makes things for herself, or in this kind of fabric and has been frequently saying, “I’m really pleased with that jacket!”. It makes all this rain ALMOST bearable.
Lulu wearing vintage Vogue dress made with swimmers printed cotton and pink linen bolero, all made by Jane.
Fabrics and Notions:
Dress:
Swimmers print cotton
Riviera cotton lawn lining
Cover buttons
Covered belt
Bias binding
Pattern: Vintage Vogue V2960
Bolero:
Pink Heavy Linen
Swimmers print cotton
Button
Piping
Lulu wearing Italian Designer knit dress, and Miaow wearing her heirloom embroidered linen dress.
Fabrics and Notions:
Lulu:
Italian Designer knit cotton and mixed fibres
Stay tape
Bias binding
Miaow:
Off-white linen
Riviera cotton lawn
Zip
Button
Lace inserts
Ribbons
Pam wearing her printed linen and ramie a-line skirt
Fabrics and Notions:
John Kaldor Printed Linen/Ramie
Invisible zip
Venezia lining
Piping and bias binding
Maddison modeling Bess’s proofed linen coat (quilted with wool wadding) with wiggly eye epaulettes. Zipping in the panels and sleeves undo to reveal white proofed linen pleats.
Fabric and Notions:
Chartreuse proofed linen
White proofed linen
Wool wadding
Black continuous zipping
wiggly eye buttons
Black cotton grosgrain
Spot printed viscose acetate lining
Cover buttons
Pocket zips
Eyelets (umbrella pocket)
Viscose iron-on interfacing
Pattern: Bess’s own
Kitcat wearing smocked linen dress with cross over back.
Fabrics and Notions:
Spotty printed linen.
Smocking
Buttons
Lawn iron-on interfacing
Jacoba wearing floral printed linen skirt with frill detailing.
Dee wears this elegant purple embroidered linen mix shift dress
Fabrics and Notions:
String embroidered linen mix
Purple Venezia lining
Medium weight knitted iron-on interfacing
Invisible zip
It is a good idea to make a toile (a roughly made up dress in inexpensive fabric) when making a shift dress with this flattering wide neck style so that it doesn’t gape. A toile is ALWAYS a good idea when making up a pattern you haven’t tried before, but it is especially important for this neckline which has a tendency to gape. Dee made this up beautifully.
Bess dancing at her cousin, Gemma’s wedding, in her super-comfortable red linen cap sleeve jersey dress.
Fabrics and Notions:
Red linen single jersey
Stay tape (shoulder seams)
Pattern: Custom made
Bess wearing Navy Linen and Cotton Herringbone suiting jacket and skirt.
Fabric and Notions:
Linen/Cotton Herringbone Doublecloth Suiting
Venezia Lining
Large anorak snap fasteners
Invisible zip
Viscose iron-on interfacing
Pattern: Custom made (variation on a bought NafNaf suit)
Lulu wearing her lovely silk and linen shift wedding dress, holding her daughter, Kitcat, in her printed cotton seersucker ruffled dress and matching headband. Gemma to her right wears an embroidered cotton bridesmaid dress.
Fabrics and Notions (Lulu):
Turquoise silk and linen
Silk habotai lining
Silk organza feather trim
Invisible zip
Iron-on lightweight interfacing
Fabrics and Notions (Gemma):
Embroidered lightweight cotton
Venezia lining
Invisible zip
Lightweight iron-on interfacing
Fabrics and Notions (KitCat)
Printed cotton seersucker
Cotton lawn (lining and collar))
Button
Extra-Lightweight knitted iron-on interfacing
The silk organza trim gave Lulu’s dress just the touch of something special she wanted for her wedding dress without making it too impractical or unsuitable to wear at subsequent posh do’s. A shift is the most flattering of dress, and easy to make fit really well.
Rebecca wearing her princess line floral print linen dress
Fabric and Notions:
Printed Linen
Medium weight knitted iron-on interfacing
Invisible zip
Pattern: McCall’s 8107
Bess’s amazing quartz-crystal covered white linen cap-sleeve a-line dress. (made by Jane)
Fabrics and Notions:
White heavy washed linen.
4kg quartz crystal bead chips
Stretch silk satin (bodice lining)
Covered boning
Fine white Riviera cotton lawn (skirt lining)
Red satin bias and fine piping cord
Invisible zip
Lightweight knitted iron-on interfacing
Pattern: Custom made
The beading on this very special dress took three months by Jane (and her small army of helpers), the whole dress weighed so much Bess had to give in to Jane’s request that she be allowed to bone it (Bess doesn’t like being contained), as without boning the weight was pulling down and giving her a flat chest. The boning and the waist stays, although on a stretch satin foundation, were enough to support the dress.
Kitcat modelling smocked white linen dress with lined sunhat (Made by Jane)
Fabrics and Notions:
White medium weight linen
Pink and green embroidery threads
White cotton Riviera lawn (lining)
Self-cover buttons
Traditional smocking is time consuming and quite tricky to do well. It is important you pick a fabric that has an even and straight weave, and that markings are done incredibly accurately. It is becoming a lost art, and should be encouraged as it is lovely (and practical)
Jane wearing a linen jacket to Bess’s wedding, made with pink and green panels, embellished with machine embroidery.
Fabrics and Notions:
Fuchsia Pink & Lime green heavy washed linen
Small self-cover buttons
Satin bias binding and piping cord
Venezia lining
Viscose iron-on interfacing
Pattern: Custom made
Bess in her proofed linen mac (originally white, but had a little accident in the washing machine. It’s fine! She likes pink too)
Fabrics and Notions:
Ivory proofed linen
Red proofed cotton
Anorak snap fasteners
Viscose iron-on interfacing