
Kitcat’s combined spotty/gingham dress
Fabrics and Notions:
Red and White cotton gingham
Blue and red spotty printed cotton
Rickrack trim
Kitcat’s combined spotty/gingham dress
Fabrics and Notions:
Red and White cotton gingham
Blue and red spotty printed cotton
Rickrack trim
Clair wearing Off-white raincoat with Kaffe Fassett Green spotty panelled dress.
Fabrics and Notions (raincoat):
Proofed cotton
Kaffe Fassett spotty printed cotton (lining)
Double cover buttons
Piping cord with self-made bias binding
Viscose iron-on interfacing.
Pattern: McCall’s 5525
Fabrics and Notions (dress)
Green Kaffe Fassett spotty printed cotton
Green Venezia lining
Invisible zip
Piping cord and bias binding
Knitted medium weight iron- on interfacing
Clair, being the queen of matchy-matchy fashion excelled herself here with this summer-weight all-weather ensemble. Proofed fabrics will need a sharp, fine needle, such as ‘super-stitch’ or those intended for use on microfibre
Clair sporting her black cashmere wool pleated pinafore dress.
Fabrics and Notions:
Black 100% Cashmere wool
Silk Velvet (belt and bow)
Velvet piping
Puple Venezia lining
Medium weight knitted iron-on interfacing
Pattern: Burda 8072
Carole from our Cloth Club trying out stretch fabrics on her new overlocker machine
Fabrics and Notions:
Poly Viscose Brushed Jersey
Stay tape
Pattern: Vogue 8575
Overlockers are a worthwhile investment for the keen sewer, they are not essential for sewing jersey fabrics but they make life much easier, and quicker!
Ann from our Cloth Club wearing her teal wool mix draped dress
Fabrics and Notions:
Wool mix flannel
Venezia lining
Self made bias binding
A dress in this relaxed syle rarely needs a zip closure- just make sure the neck is big enough for your head to get through.
Kit relaxing in her poly spandex slinky jersey dress
Fabric and Notions:
Printed Polyester Spandex printed single jersey
Stay tape
Pattern: Vogue 8358
This was the first time Kit had sewn jersey, and the first outing for the Vogue pattern, she was pleasantly surprised at how simple it was. (I keep telling people this but they never believe me)
Dee wears this elegant purple embroidered linen mix shift dress
Fabrics and Notions:
String embroidered linen mix
Purple Venezia lining
Medium weight knitted iron-on interfacing
Invisible zip
It is a good idea to make a toile (a roughly made up dress in inexpensive fabric) when making a shift dress with this flattering wide neck style so that it doesn’t gape. A toile is ALWAYS a good idea when making up a pattern you haven’t tried before, but it is especially important for this neckline which has a tendency to gape. Dee made this up beautifully.
Clair wearing her silk and linen scoop neck shift with rose chiffon trim.
Fabrics and Notions:
Purple silk and linen
Purple Venezia lining
Purple rose poly chiffon trim
Invisible zip
Pattern: Burda 3477
Cheryl stood outside our shop wearing a red robot printed cotton dress
Fabrics and Notions:
Red robot print cotton
Invisible zip
Medium weight iron-on interfacing
This style dress is easy to make and will often not even need a zip, a great choice for beginners, or those who want to knock something up quickly. For best results choose an interesting print and let the fabric do the talking, or trim a plain fabric with ribbons, bindings or braids around the hem and neckline. This style also works really well in jersey.
Alice’s jersey and faux fur midi tube dress made for her degree collection.
Fabrics and Notions:
Viscose elastane single jersey
Black long pile faux fur
Stretch iron-on interfacing
Alice’s jersey and sequinned mini dress made for her degree collection.
Fabrics and Notions:
Viscose elastane single jersey
Ombre printed sequinned tulle
Stretch Iron-on Interfacing
Clair wearing Martha Negley printed cotton shift dress
Fabrics and Notions:
Martha Negley printed cotton
Venezia lining
Fine piping cord and bias binding
Lightweight knitted iron-on interfacing
Invisible zip
Pattern: Burda 3477
Jane and Clair in matching ‘corporate colours’ dress and skirt using Kaffe Fassett printed Cotton
Fabrics and Notions: (Jane)
Kaffe Fassett printed cotton
Piping and self made bias binding
Cotton lawn (lining)
Invisible zip
Pattern: Simplicity 3881
Fabrics and Notions: (Clair)
Kaffe Fassett printed cotton
Venezia lining
Invisible zip
Lightweight knitted iron-on interfacing
Pattern: Vintage Vogue
KitCat sporting Dolly Annabelle’s dress as hat, made using the offcut silk dupion from her party dress and trimmed with ricrac braid (made by Clair)
Fabrics and Notions:
Silk Dupion (remnant)
Ricrac Braid
Bess dancing at her cousin, Gemma’s wedding, in her super-comfortable red linen cap sleeve jersey dress.
Fabrics and Notions:
Red linen single jersey
Stay tape (shoulder seams)
Pattern: Custom made
Kit wearing printed cotton dress with V-neck and in-seam pockets
Fabrics and Notions:
Kaffe Fassett spotty printed cotton
Silk habotai (lining)
Invisible zip
Stay tape
Cotton lawn iron-on interfacing
Pattern: Vogue 8392
Kit in her Tina Givens designed birdy print cotton dress with belt
Fabrics and Notions:
Tina Givens printed cotton
Invisible zip
Silk habotai (lining)
Pattern: Very Easy Vogue 8469
Putting a lining under a cotton dress such as this immediately makes the dress feel more special, it adds weight which aids the drape, and helps cut down on creasing (even if the lining creases). It also (often) stabilises enough to negate facings.
Ottie in her sweet polka dot dress with button detailing and Peter-Pan collar.
Fabrics and Notions:
Red and white spot print cotton
Red buttons
Lightweight cotton lawn iron-on interfacing
Ottie (age 14) wearing Laurent Garigue stretch worsted wool spot dress. (made all by herself)
Fabrics and Notions:
Bonded stretch worsted wool / nylon tulle
Standard dress zip
Bess in her black and white polka dot viscose jersey dress (So good she made it twice)
Fabrics and Notions:
Polka dot Viscose jersey
Stay tape (shoulder seams)
Polka dots are a great flattering print which withstand the fashion cycles. Bess wore this versatile dress to death and so made another one, it is so easy it can be made in less than an hour on the overlocker.
Bess (the day after her wedding) wearing cartoon print jersey dress.
Fabrics and Notions:
Cartoon print cotton and elastane jersey
Elastic
Bess thought the jersey a bit lightweight for her taste so made it double (rather than lining it in a tricot which she didn’t feel was heavy enough).
Also worn at Womad for her hen party. The neckline was cut the same as her wedding dress so she wouldn’t get tan lines.
Rebecca wearing her princess line floral print linen dress
Fabric and Notions:
Printed Linen
Medium weight knitted iron-on interfacing
Invisible zip
Pattern: McCall’s 8107
Jo and Lulu sporting matching bridesmaid’s dresses for Bess’s wedding, made out of strecth cotton denim, net underskirts and covered belts. (Made by Jane)
Fabrics and Notions:
Stretch cotton denim
Cotton voil lining
Nylon dress net
Covered boning
Invisible zip
Petersham (waist stays)
Pattern: custom made
When using a ‘less posh’ type of fabric such as stretch denim and you want to make it look posh, make sure the pattern choice is structured and fits perfectly. Stretch denim is great to make tight bodices as it is strong and has just the right amount of ‘give’ (which means the poor suffering bridesmaids can breathe -usually a good thing)